Je dis oui !!
Eddy Barrows
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Tom Richmond (MAD)
Originally MAD wanted a Kansas farmland background and I suggested a Metropolis skyline instead. I am such an idiot. It took me ten times longer to paint that skyline than it did the Superman and Alfred figures.
MAD wanted me to make some adjustments to this- they didn’t like Superman’s awkward looking left hand (they were right on that, it worked better in the sketch) and they wanted some changes to the background especially to create ‘atmospheric perspective’ by way of fading the contrast and colors and adding a haze to it.
Ah, c’est la couverture du Mad Présente Superman d’Urban !
Jim
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Oh.
Je déplace là-bas ?
(grat grat la tête)
Non t’embête pas : je vais « citer ».
Jim
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Kerry Callen.
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Quelle trouvaille visuelle méta !
Jim
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While those seminal works are seen as trailblazing in changing the perception of what comics can be and what they can cover, Lois Lane is arguably a darker book than either of them. Neither Frank Miller nor Alan Moore and Dave Gibbons deigned to put a dead child on the cover of their series
It’s not just the content of the comic, however, but also the way it’s presented. Lois Lane #2 ends with fictional newspaper clippings that build out the world, the same kind of backmatter that Alan Moore is often credited with revolutionizing to this day. Yet Newell and Morrow’s addition to this canon is never mentioned.
Jim
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Wow.
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Jeff Dekal
