When I created this cover for Tigra, I wanted to tell a story using only an eye.
Not the character’s face, not the action, just the reflection of it. Because at times what we see says more about what’s happening than the event itself.
The entire image is built on contrast - the thick, sharp shadows framing the eye and the tiny burst of light inside it. That light isn’t random. It’s the flash of violence, the moment of impact, frozen forever in the witness’s gaze.
I remember being fascinated by how the composition turned the eye into both the observer and the victim - beauty and terror sharing the same space.
It’s one of those pieces where the negative space speaks louder than any explosion could.