Après avoir dévoilé la Phase IV du Marvel Cinematic Universe au San Diego Comic Con, Kevin Feige commence à révéler quelques infos sur la suite à l’expo D23 de Disney, à commencer par la date de sortie du second volet de Black Panther, l’un des plus gros succès de 2018 : le 6 mai 2022.


Ce sera donc le film du Free Comic Book Day…


Je suis curieux.

20 ans après ses débuts, non (puisque ça a dû débuter au moment du 1er Spider-Man) ?

Tout à fait.


L’hommage de Ryan Coogler à Chadwick Boseman :

"Before sharing my thoughts on the passing of the great Chadwick Boseman, I first offer my condolences to his family who meant so very much to him. To his wife, Simone, especially.

I inherited Marvel and the Russo Brothers’ casting choice of T’Challa. It is something that I will forever be grateful for. The first time I saw Chad’s performance as T’Challa, it was in an unfinished cut of Captain America: Civil War . I was deciding whether or not directing Black Panther was the right choice for me. I’ll never forget, sitting in an editorial suite on the Disney Lot and watching his scenes. His first with Scarlett Johansson as Black Widow, then, with the South African cinema titan, John Kani as T’Challa’s father, King T’Chaka. It was at that moment I knew I wanted to make this movie. After Scarlett’s character leaves them, Chad and John began conversing in a language I had never heard before. It sounded familiar, full of the same clicks and smacks that young black children would make in the States. The same clicks that we would often be chided for being disrespectful or improper. But, it had a musicality to it that felt ancient, powerful, and African.

In my meeting after watching the film, I asked Nate Moore, one of the producers of the film, about the language. ‹ Did you guys make it up? › Nate replied, ‹ that’s Xhosa, John Kani’s native language. He and Chad decided to do the scene like that on set, and we rolled with it. › I thought to myself, ‹ He just learned lines in another language, that day? › I couldn’t conceive how difficult that must have been, and even though I hadn’t met Chad, I was already in awe of his capacity as actor.

I learned later that there was much conversation over how T’Challa would sound in the film. The decision to have Xhosa be the official language of Wakanda was solidified by Chad, a native of South Carolina, because he was able to learn his lines in Xhosa, there on the spot. He also advocated for his character to speak with an African accent, so that he could present T’Challa to audiences as an African king, whose dialect had not been conquered by the West.

I finally met Chad in person in early 2016, once I signed onto the film. He snuck past journalists that were congregated for a press junket I was doing for Creed , and met with me in the green room. We talked about our lives, my time playing football in college, and his time at Howard studying to be a director, about our collective vision for T’Challa and Wakanda. We spoke about the irony of how his former Howard classmate Ta-Nehisi Coates was writing T’Challa’s current arc with Marvel Comics. And how Chad knew Howard student Prince Jones, who’s murder by a police officer inspired Coates’ memoir Between The World and Me .

I noticed then that Chad was an anomaly. He was calm. Assured. Constantly studying. But also kind, comforting, had the warmest laugh in the world, and eyes that seen much beyond his years, but could still sparkle like a child seeing something for the first time.

That was the first of many conversations. He was a special person. We would often speak about heritage and what it means to be African. When preparing for the film, he would ponder every decision, every choice, not just for how it would reflect on himself, but how those choices could reverberate. ‹ They not ready for this, what we are doing… › ‹ This is Star Wars , this is Lord of the Rings , but for us… and bigger! › He would say this to me while we were struggling to finish a dramatic scene, stretching into double overtime. Or while he was covered in body paint, doing his own stunts. Or crashing into frigid water, and foam landing pads. I would nod and smile, but I didn’t believe him. I had no idea if the film would work. I wasn’t sure I knew what I was doing. But I look back and realize that Chad knew something we all didn’t. He was playing the long game. All while putting in the work. And work he did.

He would come to auditions for supporting roles, which is not common for lead actors in big budget movies. He was there for several M’Baku auditions. In Winston Duke’s, he turned a chemistry read into a wrestling match. Winston broke his bracelet. In Letitia Wright’s audition for Shuri, she pierced his royal poise with her signature humor, and would bring about a smile to T’Challa’s face that was 100% Chad.

While filming the movie, we would meet at the office or at my rental home in Atlanta, to discuss lines and different ways to add depth to each scene. We talked costumes, military practices. He said to me, “‹ Wakandans have to dance during the coronations. If they just stand there with spears, what separates them from Romans? › In early drafts of the script. Eric Killmonger’s character would ask T’Challa to be buried in Wakanda. Chad challenged that and asked, what if Killmonger asked to be buried somewhere else?

Chad deeply valued his privacy, and I wasn’t privy to the details of his illness. After his family released their statement, I realized that he was living with his illness the entire time I knew him. Because he was a caretaker, a leader, and a man of faith, dignity and pride, he shielded his collaborators from his suffering. He lived a beautiful life. And he made great art. Day after day, year after year. That was who he was. He was an epic firework display. I will tell stories about being there for some of the brilliant sparks till the end of my days. What an incredible mark he’s left for us.

I haven’t grieved a loss this acute before. I spent the last year preparing, imagining and writing words for him to say, that we weren’t destined to see. It leaves me broken knowing that I won’t be able to watch another close-up of him in the monitor again or walk up to him and ask for another take.

It hurts more to know that we can’t have another conversation, or facetime, or text message exchange. He would send vegetarian recipes and eating regimens for my family and me to follow during the pandemic. He would check in on me and my loved ones, even as he dealt with the scourge of cancer.

In African cultures we often refer to loved ones that have passed on as ancestors. Sometimes you are genetically related. Sometimes you are not. I had the privilege of directing scenes of Chad’s character, T’Challa, communicating with the ancestors of Wakanda. We were in Atlanta, in an abandoned warehouse, with bluescreens, and massive movie lights, but Chad’s performance made it feel real. I think it was because from the time that I met him, the ancestors spoke through him. It’s no secret to me now how he was able to skillfully portray some of our most notable ones. I had no doubt that he would live on and continue to bless us with more. But it is with a heavy heart and a sense of deep gratitude to have ever been in his presence, that I have to reckon with the fact that Chad is an ancestor now. And I know that he will watch over us, until we meet again."

Apparemment, grosse comm. de TF1 qui passe le 1 ce mois-ci.
Je ne sais pas si c’était prévu ou si c’est purement circonstanciel.

c’était prévu.

« Most observers agree that Disney has several options. One is to replace Boseman, which could generate a fan outcry and prompt inevitable comparisons between actors. Even with a scheduled release date of 2022, already iffy due to the coronavirus pandemic, few actors may be willing to take on that challenge. The second option, which may be more tenable, is to make T’Challa’s sister, Shuri (Letitia Wright) the new Black Panther. That scenario also aligns with events portrayed in one of the comic book series on which the film is based. »

Dans le sens où il serait passé sur cette chaîne indépendamment du décès de Chadwick Boseman ?

La solution la moins clivante serait de « promouvoir » Shuri en Black Panther, oui. Ca a été le cas dans les comics, ça semble le voeu de beaucoup de fans (en tout cas ceux qui s’expriment sur les réseaux sociaux), et ça suit grosso-modo la volonté de Marvel Studios de donner plus d’importance aux super-héroïnes.

Pas facile comme décision.
Boseman inspire beaucoup de respect. Il a fait des choix forts, symboliques…
Et endosser le costume après lui, ce sera hard.
Perso, dans ce genre de circonstances très particulières, je serais pour une version numérique de l’acteur. Si la famille le veut, et uniquement dans ce cas, bien sûr. Une façon de garder la flamme vivante.
Cela dit, je n’ose imaginer l’Enfer émotionnel que ce serait pour le cast.

Black Panther, pour moi, c’est T’Challa. Et T’Challa, c’est Boseman.

oui. hasard malheureux.

ou, soyons cynique, ils auront avancer la diffusion de quelques semaines.

Je ne le verrais pas forcément comme une marque de cynisme.
Plus comme un hommage tardif (c’est maintenant qu’il faut passer le film, pas dans trois semaines).
On parle de la première chaîne française ayant eu un présentateur de journal noir, ce qui est loin d’être courant dans le PAF.

Pour tout un film, ou pour organiser son départ / sa mort ?

Je n’ai pas de réponse à ça.
Selon la volonté de la famille et de Disney. Sachant que techniquement, c’est maintenant possible.
Mais organiser son départ ou sa mort ainsi, ce serait terrible de mon point de vue. Limite cruel.

Tu te bases sur quoi ? Parce que non ce n’était pas prévu. C’est un changement de programmation comme une chaine comme TF1 le fait lors de la mort d’un acteur

(et comme la fait ABC dimanche dernier)

Oui, évidemment.
Mais je ne suis pas sûr que la technologie soit « vraiment » capable de réaliser une telle prouesse pendant tout un film.
Déjà, je crois que ça coûte cher.
Ensuite, les exemples qui me viennent en tête (essentiellement Rogue One) sont grosso-modo réussis, mais je « voyais » qu’il y avait un truc, quelque chose, que ce n’était pas pleinement naturel.
Et, enfin, je serais un peu gêné que le personnage survive à l’acteur avec son visage. Ca sonnerait « faux », au fond.

Là où la technologie pour organiser le départ / l’au-revoir au personnage, et donc à l’acteur, ça peut être terrible, mais ça peut aussi faire office d’hommage.
On aime ou pas, on en rigole ou pas, mais je dois avouer que la scène de Fast & Furious 7 où Vin Diesel dit « adieu » au personnage de Paul Walker, avec la technologie qui pose son visage sur le corps du frère del’acteur… ben je trouve ça touchant, et bien employé.

L’exploitation de l’image d’un acteur dans le cadre d’une numérisation c’est surtout extrêmement encadré juridiquement parlant. Il faudrait déjà savoir si le contrat avec Marvel incluais ce genre d’exploitation et les détails de cela.